At first, the bustling garage-dwelling post-punk of Melbourne’s RVG (that’s Romy Vager Group, for those of you playing at home) seemed an ill fit in contrast with tonight’s headliner – almost at odds, even. The reality is, however, RV are a complement to this bill – and, indeed, any bill lucky enough to have them. They provide everything a great indie-rock band should: Introspective insight, solid foundations to dance or sway upon, propulsive walls of guitar and a series of peaks and valleys that allow one to appreciate their stylistic contrasts that coarse throughout each song. The quartet are still riding high on the momentum of their excellent 2017 debut LP, A Quality of Mercy, and the lion’s share of the record gets a run-through here. Given the album was essentially recorded live upstairs at The Tote, it’s no surprise that the electricity and urgency captured on record translates seamlessly to the live environment. Even those among the early arrivals who have no idea who the band are (read: all but maybe five of them) are quick to pick up what RVG are putting down – which, in itself, says a lot about how convincing a live band they are.