SOMA, “Say It” has this cosmic vibe and touches on intergalactic love. If you could pick a planet or galaxy for a second music video concept, where would it be, and why?
I’d take it to the Andromeda Galaxy—there’s something about the vastness, the mystery, and the unknown that really speaks to the feeling of Say It. The distance, the space between two souls, yet that magnetic pull that brings them together. The galaxy would be an infinite backdrop for a love that feels cosmic, untouchable, and full of potential.
You mentioned this track was a huge step for you as an artist, full of raw emotion. Was there a particular moment in the studio that made you realise, “This is the sound I’m chasing”?
In the studio one night, I had this moment when the beat dropped and the vocal melody just spilled out of me—raw and unfiltered. I realised that this was it. It wasn’t about perfection; it was about feeling, about letting the music take control. That moment was when I realised I was finally tapping into my true sound, the one that feels like me, though I’m constantly melding genres and experimenting with sound.
With COBRA being such a deeply cathartic project for you, which track on the mixtape do you feel is the ultimate “moment of release,” the one that truly embodies your transformation?
‘Blood Spilt’ is that track for me. It’s a song about rising from the ashes, shedding old skins, and stepping into something stronger. The energy, the rawness—it’s the embodiment of everything I’ve been through and everything I’ve learned. It’s the turning point on the mixtape, the moment when everything falls into place.
You’ve drawn inspiration from some heavy hitters like SZA, FKA Twigs, and Missy Elliott. If you could collaborate with one of them on a track, what direction would you take creatively with that artist?
If I were to work with FKA Twigs, I’d want to create something experimental, a blend of haunting vocals and otherworldly sounds—something that bends genres and feels like a dream. I’d love to dive deep into the surreal, using movement, visuals, and sound to tell a story that transcends space and time.
In your new music video for “Say It,” you dive into surreal, glowing alien skin and neon-lit cityscapes. If the video could transport the viewer to one of your past life experiences, what would it look like?
It would be a kaleidoscope of moments—walking through neon-lit streets late at night, feeling both disconnected and deeply connected at the same time. There would be flashes of distant memories, like glimpses of a life lived under foreign skies, surrounded by strange faces but an undeniable sense of belonging. It would be a blend of longing and discovery, a visual echo of that inner pull we can never quite shake.
You describe COBRA as a journey of resilience and empowerment. If you had to pick a superhero to represent the mixtape, who would it be and how do they tie into your artistic evolution?
I’d choose Kali, the Hindu deity of transformation and destruction. She represents the death of the ego, the shedding of old identities to make way for rebirth and empowerment. Just like Kali, COBRA is about embracing change, confronting the darkness within, and finding strength in vulnerability. Her fierce energy symbolises the fearless journey I’ve taken to let go of what no longer serves me, so I can emerge stronger and more authentic. Like Kali, the mixtape is a release—a destruction of the past to give birth to something new.
You’re blending futuristic soul and alternative hip hop in such a refreshing way. What’s a song or genre that you haven’t yet explored, but would love to try in the future?
I’d love to dive into psychedelic rock, weaving those expansive, otherworldly soundscapes with my own style. Imagine the cosmic energy of Pink Floyd blending with the emotional depth of alternative hip-hop. I’d also love to dive into a more experimental fusion, something like BadBadNotGood’s genre-defying mix of jazz, hip-hop, and electronic. The way they blend organic instrumentation with electronic textures feels limitless, and I’m drawn to that fluidity.
Having grown up listening to everything from hip hop to classical, is there a specific classical piece or artist you find yourself returning to when you’re in need of inspiration?
I always return to Clair de Lune by Debussy. It has this ethereal, dreamlike quality. It’s calming, yet full of depth.
You talk about using music as a tool for healing and connection. What’s one track in your discography that holds the most therapeutic significance to you, and why?
SINK from my upcoming mixtape is the most therapeutic for me. It’s a track where I really allowed myself to feel the weight of everything I’ve been through, and in doing so, it became a release. It’s about finding peace in the chaos.
With your upcoming live shows promising a transformative experience, can you spill any hints about a surprise element you’re planning for your Sydney launch party?
I’m all about creating an immersive experience, so expect a lot of visuals that will take you into another world. Connecting through sound, lights, and energy. Without giving too much away, there’s definitely a surprise in store that’ll bring a little intergalactic energy to the stage.
‘COBRA’ is out Friday February 21
SOMA – UPCOMING SHOWS:
FRI 7 MAR | MIXTAPE LAUNCH PARTY, TROCADERO, SYDNEY NSW | 18+
Plus Special Guests
Tickets available from: www.moshtix.com.au
SAT MAR 29 | GREAT SOUTHERN NIGHTS, MAD POET, NEWCASTLE NSW
Supported by Les Poets Pop
FREE show
SAT APRIL 5 | BOOTY BLOCK PARTY, LANSDOWNE HOTEL, SYDNEY NSW
Plus Special Guests
Tickets available from: www.moshtix.com.au